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Lee’s music career started before she was even in school. So today we’re going to have a look at the career of the girl who was known as “Little Miss Dynamite”: And she’s the only performer we’ve dealt with so far to have a US top ten hit in the last year. According to Joel Whitburn, she was the fourth most successful artist in terms of the American singles charts in that whole decade - just behind the Beatles, Elvis Presley, and Ray Charles, and just ahead of the Supremes and the Beach Boys, in that order.ĭespite the fact that she’s almost completely overlooked now, she was a massively important performer - while membership of the “hall of fame” doesn’t mean much in itself, it does say something that so far she is the *only* solo female performer to make both the rock and roll and country music halls of fame. Why not join them?Ī couple of months ago, we looked in some detail at the career of Wanda Jackson, and in the second of those episodes we talked about how her career paralleled that of Brenda Lee, but didn’t go into much detail about why Lee was important.īut Brenda Lee was the biggest solo female star of the sixties, even though her music has largely been ignored by later generations. This podcast is brought to you by the generosity of my backers on Patreon. Most of the information in here comes from Brenda Lee’s autobiography, Little Miss Dynamite, though as with every time I rely on an autobiography I’ve had to check the facts in dozens of other places.Īnd there are many decent, cheap, compilations of Lee’s music. My apologies.Īs always, I’ve put together a Mixcloud playlist of all the songs excerpted in the episode. This is one of the perennial problems with material from this period - artists would often remake their hits, sticking as closely as possible to the original, and these remakes often get mislabelled on compilation CDs. It has also been pointed out to me that the version of “Dynamite” I use in the podcast is actually a later remake by Lee. It was just an awful lot of the most successful ones. Check out Tilt’s irregular podcasts at and Įrrata: I say that the A-Team played on “every” rock and roll or country record out of Nashville. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Patreon backers also have a ten-minute bonus episode available, on “16 Candles” by the Crests.
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#James blake radio silence lyrics full
Click the full post to read liner notes, links to more information, and a transcript of the episode. Episode seventy-nine of A History of Rock Music in Five Hundred Songs looks at “Sweet Nothin’s” by Brenda Lee, and at the career of a performer who started in the 1940s and who was most recently in the top ten only four months ago.